From A Topographical Dictionary of Ireland, 1837
ALL SAINTS, a parish, in the barony of RAPHOE, county of DONEGAL, and province of ULSTER, 6 miles (W.) from Londonderry, on Lough Swilly, and on the road from Londonderry to Letterkenny; containing 4066 inhabitants. It consists of several townlands formerly in the parish of Taughboyne, from which they were separated and formed into a distinct parish, containing, according to the Ordnance survey, 9673 ¾ statute acres, of which 102 are covered with water. The land is generally good and in a profitable state of cultivation; the system of agriculture is improving; the bog affords a valuable supply of fuel, and there are some good quarries of stone for building. Castle Forward, the property of the Earl of Wicklow, is at present in the occupation of W. Marshall, Esq. A distillery and a brewery are carried on to some extent; and petty sessions are held on the first Friday in every month.
The living is a perpetual curacy, in the diocese of Raphoe, and in the patronage of the Incumbent of Taughboyne. The church, a neat small edifice, was formerly a chapel of ease to the church of Taughboyne. In the R. C. divisions this parish is the head of a union or district, called the union of Lagan, and comprising also the parishes of Taughboyne, Killea, and Raymochy; there are three chapels, situated respectively at Newtown-Conyngham (in All Saints), Raymochy, and Taughboyne. There are two places of worship for Presbyterians, one in connection with the Synod of Ulster, of the third class; and the other with the Seceding Synod. The parochial school is aided from Robinson's fund; a school of 28 girls is supported by Lady Wicklow, and a school is supported by subscription; there are also three pay schools, in which are about 90 boys and 20 girls, and a Sunday school. The interest of £200, bequeathed by a respectable farmer, is annually divided among the poor.
Charlotte Milligan Fox, sister of the poet Alice Milligan, was a founding member of the Irish Folk Song Society and an indefatigable field collector of Irish traditional music. Her singularly important work on Irish haprers is here presented for the twenty-first century reader. This edition of Annals offers a much greater number of illustrations than were included in the original 1911 publication, a full biographical introduction, an extensive bibliography of the writings of Milligan Fox and an appendix discussing the variant texts of Arthur O’Neills Memoirs.
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